The Mobs Take: M.I.A by Obinna Agwu

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About 2weeks ago, I caught a tweet by my good friend and chocolate city executive, Lanre “Elbama” Onipede, replying a blogger who is purported to have said that M.I had a bad year (2013). It is apparent that the said blogger’s assertion didn’t go down well with Lanre, as he promptly gave evidence to the contrary. Lanre’s tweet reads, “if by getting 2 endorsement deals running into millions, a new house, 2 new posh cars, a state appointment is bad, then M.I had a BAD year.” I found Lanre’s reply particularly discomforting because I felt it didn’t take into account the possibility that the said blogger behind the ‘abominable remark’ might have been an M.I fan; and I think he/she is. I also want to believe that the fellow was equally aware of every one of those “grand achievements” carefully detailed by Lanre in his reply. But the fellow’s comment was clearly not about all that; It was about the music, but Elbama chose to not see that. I’m also under the impression that the said blogger wasn’t out to malign anyone, but merely to express an opinion; one I happen to share. Only a concerned follower (believer), would know and care enough to make such a frank statement. M.I started getting endorsements through making music and not the other way round, so it’s not out of place to assess his year based on that factor (the music).

At this juncture, you must permit me this jaunt down memory lane to recall the first time I heard M.I’s Crowd Mentality on radio; I was in awe of it. I was so sure the rapper was of american descent. Alas, I was wrong, the rapper was M.I. The beat was audacious and irreverent at the time, and still is; the arrangement and QUALITY OF THOUGHT was, and still is, UNTOUCHABLE. Crowd Mentality literally haunted me in my sleep for several nights. I had to meet this guy; and by some divine orchestration, I did meet M.I a few weeks after. Let it be said here, that I worked with M.I for purely selfish reasons. The M.I I met in 2007 was eventually going to be signed onto one of the Big Hip hop labels and become ‘proper’ contemporaries with Jigga and Kanye, and I wanted to be in such company as well. I was so sure M.I was going to sellout huge venues in a proper world tour, perform at Coachella among other globally renowned music festivals, sell millions and millions of records, net global endorsement deals, and in fact, bring us a Grammy. And no, those weren’t fantastic dreams, not to me at the time; they were targets, attainable targets. M.I was going to tear down the barriers and be our representative in the global music mainstream. He was going to live out the true definition of doing it BIG and further open our eyes to that possibility. M.I was the chosen one.

The thing about true Greatness is, no matter how obscure its repose, wise men will always seek it out. Little wonder that once M.I started residing in Palm grove (Djinee’s place), it inevitably became a Mecca of sorts to all manner of industry players. Bear in mind that M.I had no ‘posh car’ at that time (ok feel free to read this sentence again without the ‘posh’). Why did they come? Your guess is as good as mine. Although not all the wise men made it to palm grove, they ALL acknowledged that a King was born. I particularly recall this occasion when M.I and I bumped into the legendary Efe Omoregbe, talent manager par excellence, at a media house where M.I had just concluded an interview. After a brief exchange of pleasantries, Mr Omoregbe promptly produced one thousand naira from his pocket and handed it to M.I, clearly stating that the money was advance payment for the very first copy of M.I’s yet to be released debut album. If you’re wondering, what’s the big deal? The joke’s on you. M.I isn’t merely an outstanding rapper, he is also an exceptionally gifted musician. I mean his gift was several cuts above the rest, and the REST new it! It therefore cannot be too hard for anyone to see why British Council would pick a largely unknown M.I to be part of its BRING THE NOISE tour/project back in 2007.

In case you’re one of those hardy folk who absolutely must see to believe, then check out this clip of M.I performing (not miming/lip syncing) ‘Short Black Boy’ over a very basic instrumental at the 2008 Future Awards ceremony at the Muson Centre. Bear in mind that at least 95 per cent of the crowd had never heard that song before and probably never heard of M.I too. Greatness spoke, and the people rallied!

Today, that Greatness has been so greatly undermined to the point that someone somewhere could imagine and hatch the abominable idea of lumping Lynxxx and Naeto C in a mass endorsement jamboree that also includes Mr f*cking Incredible? Incredible! The M.I I saw should have been big enough to command the combined signing fee of all of those artistes on GLO’s bloated roster, to be the sole ambassador of the brand. But the “Chairman” appears to be quite at home in that company. After all, the money’s too good.

What went wrong? For me, this unfortunate turn of events started from M.I’s second album. Firstly, I was shocked to find out it wasn’t titled PYERI BOY (apparently, sticking to the plan wasn’t part of the plan anymore). MI2 marked the beginning of the implementation of the ‘transformation agenda’ – from standing out (Crowd Mentality), to blending in (African rapper no1). Although MI2 still boasts of great songs like One Naira, Wild Wild West, and Nobody, the question remains, which of those songs has a video and which does M.I perform most at shows? M.I appears to have made it a point of duty to leave his best work out of TV, from TALK ABOUT IT to MI2. It’s a shame that great songs like One Naira, Fast money Fast cars, Short Black Boy, Wild Wild West (very important song), Forever, Nobody and many more records from his debut and sophomore albums still go without due visual expression. For MI2, he sold us the movie theme idea. It was brilliant, but we never got no movie. A “Chairman” should at least make videos. No?

M.I is clearly not trying to be Mr Incredible anymore. That is clearly why he has pulled the plugs on great projects like the One Album, Pyeri Boy, Rap Songs About Love and many more. If only you knew what fantastic music the ‘Chairman’ is holding back from you… M.I was born a KING; this is why I find it rather absurd to watch him struggle to be ‘Chairman.’ This is the classic case of Joseph ignoring the bigger lofty vision of being Prime Minister in Egypt to settle as the Chief slave in Potiphar’s house (madam’s boyfriend). This new ‘Chairman’ standard, in my opinion, is unacceptable, demeaning and unsustainable.

Did you know M.I’s Crowd Mentality was a reply to the Choc Bosses who wanted him to make a certain kind of music at the time? Oh yes it was, and I heard him tease Audu about it a couple of times too. Crowd Mentality was sarcasm at its finest; or so we thought. Hehe.. Turns out the joke was on us. Now look who’s making bad music just to rock in arenas. *sigh*

Finally, I make bold to submit that, when compared to M.I, the KING; this new M.I, your “Chairman,” with all his ‘posh cars,’ is a pauper.

However, If you still think this is just another poor hater hating on your CHAIRMAN; well, you’re a GENIUS!!! And to be sure, I haven’t eaten today. Hehe…

My take. Feel free to have yours here…

Please find time to check this page out: http://m.reverbnation.com/artist/miabaga

Mob.

Written by Obinna Agwu (@d_angrymob)

12 COMMENTS

  1. The person wey write this article deserve 2 bottles of star. This is on the money, and unfortunately when you tell people they’ll call you a hater. That chairman song was the climax of everything that went wrong with MI’s music in 2013. Pure rubbish.

    I’m an MI fan and I really tried to like that song, but I couldn’t get around to it.

  2. I fully support this article… It brings memories of the awe I was in when I heard crowd mentality and the rest in the first album…I no more have that with MI anymore… Hope he retraces his steps

  3. im an MI fan but the chances of him making it in nigeria or africa with his old style you are talking about is very slim. the guy had to make his music palatable to african taste and I dont blame him. Nigeria has many talented rappers like boogey and rukus but are they really eating from their style

  4. I understand MI’s fears and need to comply with the Trends, to keep afloat and maintain a Status quo maybe, but as an MI fan, if he doesn’t continue raising the bar like he did when he started, he would watch the system phase him out. I would so hate to see that happen. You got a good head on your shoulder MI don’t be like the rest.

  5. With this article, d angry mob just proved d already know fact once more that he is a trend setter. I support d fact that an artiste should be judged by his music and not d money; he connects through his music to the fans. But one fact u overlooked here though is though he may have changed his music style, he also (possibly) got more fans through this new style. Yes? No? So if he has new fans, with this new style and they out weigh the lovers of his former style (purist like me), would you blame him for sticking to the new formula especially when its still getting him paid? Just saying though. Still, this article, like all your articles, is filled with hope, sincerity and soundness. Thumbs up!

  6. Obinero! Mob movement! Stellar piece.
    Omo if its hate,I’m with you on that “I haven’t eaten tday” line.
    Great tongue in cheek…..
    Yals alrdy knw, I keeps it 100. @jewjubrown

  7. Obinero! Mob movement! Stellar piece.
    Omo if its hate,I’m with you on that “I haven’t eaten tday” line.
    Great tongue in cheek….. And decimal,one Henny for you there. Sure guy!
    Yals alrdy knw, I keeps it 100. @jewjubrown

  8. mehn dis is one of d most honest pieces of work ive seen frm a blogger…. MI ws born to be indeed d GREATEST african rapper… Bcos yes if u tk it to proper bars on bars proverb or modo probably wld nick dat bt put d delivery n musicality and d ‘total musician’ perspective den MI is indeed d most incredible.. In many ways he reminds me of kendric lamar…one major difference , he (mr incredible) flew up to a height dat wsnt his peak yet n got afraid of fallin n decided to join d rest of d birds in d sky…. I saw mr incredible on stage wit d jay z’s n d kanyes n d waynes n d eminem’s n all dat buh he jst acceptd wot he initially rejected… All hope isnt lost though i know somewhere somehow he can still re-engineer his artistic motor n reach for dose goals again…. MI we nigerians put our hope in you…. Its not a mistake when i saw someone declare ‘thy nation’ come d best rap album…. Ure reachin for d money buh think of how much more money u will make by the tym u rub shoulders with d eminems jst think abt it….kendrick knws dis n will neva giv up his search on lasting greatness n impeccable legacy..

  9. As much as I enjoy the skills of MI and his talent, I have to say this is a well put together and honest piece of work. Excellent work Obinna and well critiqued. Even MI, dare I say, would not be offended by your brilliant well put through work. I do hope he gets it together and give us that work he’s been hoarding. Well done Angrymob, you have a new fan now.

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